It was many years later that I realized there was a common thread in both of their approaches the use of contrast to lead the eye of the viewer.
I worked as his apprentice and assistant from 1972-4. In Monte's work the path of the viewers eye to the center of interest is like being shot out of a cannon towards a bulls-eye target. Monte Zucker revolutionized wedding photography in the 1970s by creating simple but elegant short-lit low-key background portraits which strongly isolate a single center of interest. They were my introduction to the concept of process control and the foundation of my photographic knowledge. I was fortunate to find his five book basic photo series - Camera and Lens, The Negative, The Print, Natural Light Photography, and Artificial Light Photography - at my college bookstore in 1970.
The journey of the viewer's eye in an Adams photo is like a leisurely stroll along a country road. Background and Clothing Considerations for PortraitsĪnsel Adams taught the world how to create an interesting visual path in a photograph with subtle tonal variation.
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